tag:blogger.com,1999:blog-52905856227870242662024-03-19T05:22:47.377-07:00Absurds Observeranalyze the absurds movies contents of oscar's winner and nomineesanomaly anonymityhttp://www.blogger.com/profile/05882319691711702547noreply@blogger.comBlogger6125tag:blogger.com,1999:blog-5290585622787024266.post-43023942950182719342011-03-27T08:32:00.000-07:002011-03-27T08:32:17.148-07:00The Social Network<!--[if gte mso 10]> <style>
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</style> <![endif]--> <div style="color: red;">are you a big fan of Facebook? if the answer is yes, check this out!!!</div><br />
<span style="font-size: large;">THE SOCIAL NETWORK </span> <br />
<h1>“Got Friends?”</h1><span style="font-size: large;">By now you should know that David Fincher’s new film “The Social Network” is about the creation of Facebook, an internet website that’s less than a decade old and worth 25 billion dollars. It was started by two college students at Harvard. Mark Zuckerberg (played by Jesse Eisenberg) and Eduardo Saverin (played by Andrew Garfield). Today, the real-life Zuckerberg is the youngest billionaire in history.</span><br />
<span style="font-size: large;">The film “The Social Network” is the “Citizen Kane” of movies about successful ventures on the internet. The title of Orson Welles’ 1941 classic has been used as an adjective so often in this way that it’s become a cliché. But here it’s downright appropriate as Zuckerberg rises from penniless student to power, stature, fortune and fame. And all along the way, he has his own ‘Rosebud’ haunting him. A sort-of ex-girlfriend named Erica, played by Rooney Mara. Erica bookends this film in the most unexpected way, but one that validates the ‘Kane’ reference.</span><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl4_fkAujw3JkSgbyeqsbxF-hBcRdQ3w43AeuqsaXFsN33eIXZ5TlFj0RWNsHkjD7kUti3G3c5AqwkLpPw5ms1hiC0QUNiLbPTrniOjlxAi8g3EnP6GguT2U2Iyt1Vcy4_qJMgvZrylZs/s1600/SocialNetwork.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl4_fkAujw3JkSgbyeqsbxF-hBcRdQ3w43AeuqsaXFsN33eIXZ5TlFj0RWNsHkjD7kUti3G3c5AqwkLpPw5ms1hiC0QUNiLbPTrniOjlxAi8g3EnP6GguT2U2Iyt1Vcy4_qJMgvZrylZs/s400/SocialNetwork.jpg" width="270" /></a><span style="font-size: large;">We’re first introduced to Mark and Erica while they are on a date that doesn’t seem to be going too well. Their conversation is out-of-sync in a way that toys with us while we try to keep up. If these first 3 minutes of “The Social Network” were released as a ‘short’ film, it could win the Oscar in that category. It says a lot that the following two hours manage to sustain that level of greatness.</span><br />
<span style="font-size: large;">Usually in a David Fincher film, it’s Fincher’s style that is front-and-center. But here, Fincher’s technical expertise as a director takes a back seat to Aaron Sorkin’s magnificently written script which will undoubtedly get him his first and long-deserved Oscar. The Sorkin dialogue running throughout this movie has the same rapid-fire rhythm as his scripts for “The West Wing” TV series. Even a single scene with a minor character (the president of Harvard) carries as much weight as any in the movie.</span><br />
<span style="font-size: large;">It’s the height of irony that pop music sensation Justin Timberlake is cast as Sean Parker, the guy who wrecked the multi-billion dollar music industry with his creation of Napster. Timberlake, who lost millions in sales to Napster, plays Parker with a sinister giddy charm.</span><br />
<span style="font-size: large;">The film is overflowing with fine supporting performances, including David Selby (from the popular 70s TV series “Dark Shadows”) as a lawyer. But “The Social Network” is a powerful, electric lead showcase for Jesse Eisenberg as Zuckerberg. His performance is sure to get him on the Oscar ballot. He made me wonder if the real Zuckerberg ever idolized Val Kilmer’s character Chris Knight in 1985’s “Real Genius”.</span><br />
<span style="font-size: large;">With still 3 more months of movies to come, I’m going to go out on a limb and proclaim that “The Social Network” feels just about unbeatable as the year’s best picture.</span><br />
<span style="font-size: large;"> </span><span style="font-size: large;">here's the trailer </span><br />
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</div>anomaly anonymityhttp://www.blogger.com/profile/05882319691711702547noreply@blogger.com0tag:blogger.com,1999:blog-5290585622787024266.post-14617327416338179842011-03-27T07:39:00.000-07:002011-03-27T07:39:32.620-07:00INCEPTION<!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> </w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" LatentStyleCount="156"> </w:LatentStyles> </xml><![endif]--><!--[if !mso]><img src="http://img2.blogblog.com/img/video_object.png" style="background-color: #b2b2b2; " class="BLOGGER-object-element tr_noresize tr_placeholder" id="ieooui" data-original-id="ieooui" /> <style>
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</style> <![endif]--> <span style="font-size: 18.0pt;">INCEPTION </span><br />
<span style="font-size: 20.0pt;">“Fast Asleep”</span><br />
<span style="font-size: large;">If you’re a fan of Christopher Nolan and Leonardo d'caprio, go ahead and hate me. But spending two and a half hours being confused and disoriented is not my idea of a good time at the movies.</span><br />
<span style="font-size: large;">“Inception” tries hard to be something different and original. But it’s nothing more than a mash-up of the “The Matrix” with 1984’s far superior “Dreamscape”.</span><br />
<span style="font-size: large;">Not that the film doesn’t contain good ideas, and it certainly has extraordinary visuals and effects, but the plot is annoyingly hard to follow. To love this film is to simply give up trying to follow the story and just immerse yourself in the visual landscape. If that’s your cup of tea, then go for it. You won’t be disappointed.</span><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvhCQHM-szVJDYyFTLFsptxnMA9CIpBaING5vUfckvOL1iWyMUIb5wzH68XVcGq_UGo7XsibftnWjQd2RyTajN9tCtTp2Q7xB0uFroj3TYNFxKxccMV6xI_GNlvaSrrqQaEDghyphenhyphen1CjV6g/s1600/inception.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvhCQHM-szVJDYyFTLFsptxnMA9CIpBaING5vUfckvOL1iWyMUIb5wzH68XVcGq_UGo7XsibftnWjQd2RyTajN9tCtTp2Q7xB0uFroj3TYNFxKxccMV6xI_GNlvaSrrqQaEDghyphenhyphen1CjV6g/s400/inception.jpg" width="270" /></a></div><span style="font-size: large;">From what I can tell, the story centers on Leonardo DiCaprio being able to somehow enter someone’s dream and plant ideas deep in their subconscious. Creating a “team” to do this only merges multiple dream states to create dreams with dreams within dreams until we never have any idea what is real and what is not.</span><br />
<span style="font-size: large;">Nolan goes to great lengths to create mesmerizing dream worlds. But humans were dreaming for millenniums before CGI was invented. My dreams don’t look like they take place in a computer! Certainly, I never heard of people dreaming in 5.1 surround stereo sound. My dreams don’t have wall-to-wall bombastic film score music! Hans Zimmer’s ridiculously loud over-the-top music is intrusive and grows annoying as the film goes on.</span><br />
<span style="font-size: large;">Since “The Wizard Of Oz” in 1939, when Dorothy’s trip to Emerald City was revealed to have all been a colorful dream, it always seemed as though you could forgive any unrealistic implausibility in a movie if it took place during a dream. “Inception” banks on the fact that, because it almost entirely takes place in a dream, it can get away with anything. OK, so I won’t criticize the many logic-defying moments. I’ll just say that I was quite bored by it all.</span><br />
<span style="font-size: large;">here is the trailer, but i'm not guaranteed you're gonna satisfied </span><br />
<div class="MsoNormal"><object width="320" height="266" class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://2.gvt0.com/vi/_zfMZaLoAsY/0.jpg"><param name="movie" value="http://www.youtube.com/v/_zfMZaLoAsY&fs=1&source=uds" /><param name="bgcolor" value="#FFFFFF" /><embed width="320" height="266" src="http://www.youtube.com/v/_zfMZaLoAsY&fs=1&source=uds" type="application/x-shockwave-flash"></embed></object><span style="font-size: large;"> </span></div>anomaly anonymityhttp://www.blogger.com/profile/05882319691711702547noreply@blogger.com0tag:blogger.com,1999:blog-5290585622787024266.post-69898641565825334022011-03-26T22:27:00.000-07:002011-03-26T22:31:33.135-07:00Black Swan<span style="font-size: large;">here i go, after the King's Speech, Black Swan movie is the controversial one, and nominated of several prestigious category in the Academy Award</span><br />
<span style="font-size: x-large;"><b><br />
</b></span><br />
<span style="font-size: large;"><b><span style="font-size: x-large;">BLACK SWAN</span> </b></span> <br />
<span style="font-size: large;">“Dancing With A Star”</span><br />
<span style="font-size: large;"> </span><span style="font-size: large;">Darren Aronofsky’s “Black Swan” is a whole new level of crazy! But it earns my respect and admiration for what it dares to accomplish.</span><br />
<span style="font-size: large;"> </span><span style="font-size: large;">The visionary director of “Requiem For A Dream” and “The Wrestler” has now given us a psychological thriller set in the backstage world of ballet. More specifically, a production of “Swan Lake” in which the lead is literally transformed into her character.</span><br />
<span style="font-size: large;"> </span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbJp-FTcwZVtNuZWMmJNges5SBNkxJ_x9ZD36x0nQfhPeW2HszzTR0Qq5G4dMkN8i_M4RGGhK0QGOMMlHG5AU-EVrI53tcbxKlChn10EygIIcDSOogFAoqJxGZvlgUHEA50Fy1YhaGifk/s1600/BlackSwan.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbJp-FTcwZVtNuZWMmJNges5SBNkxJ_x9ZD36x0nQfhPeW2HszzTR0Qq5G4dMkN8i_M4RGGhK0QGOMMlHG5AU-EVrI53tcbxKlChn10EygIIcDSOogFAoqJxGZvlgUHEA50Fy1YhaGifk/s400/BlackSwan.jpg" width="270" /></a><span style="font-size: large;">Natalie Portman gives an undeniably powerful performance. She is a star who raises the bar considerably on her own career achievements with what she does in this film. But her character remains a blank canvas making it hard sometimes for us to connect emotionally. But visually we are connected, and stunned by what we’re seeing on the screen. Never sure if it’s meant to be reality, fantasy, hallucination or straight-up insanity.</span><br />
<span style="font-size: large;"> </span><br />
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</div><span style="font-size: large;">A subtle “All About Eve”-style plot is filled with superb supporting performances from Winona Ryder and Barbara Hershey both making strong comebacks here after being absent from the screen for awhile.</span><br />
<span style="font-size: large;"> </span><span style="font-size: large;">“Black Swan” is dark and creepy, but in a fun way. It’s the second film this year (after “Splice”) in which an actress sprouts bird legs! But, again, in a fun way!</span><br />
<span style="font-size: large;"> so, if you want to know what the film is like, watch here</span><br />
<div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/5jaI1XOB-bs?feature=player_embedded' frameborder='0'></iframe></div><span style="font-size: large;"><br />
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</span>anomaly anonymityhttp://www.blogger.com/profile/05882319691711702547noreply@blogger.com0tag:blogger.com,1999:blog-5290585622787024266.post-79841583876733207102011-03-26T22:03:00.000-07:002011-03-26T22:03:40.750-07:00The King's Speechaccording to the previous post, The King's Speech film brought almost all of the oscar statue. so i'd like to give my preview to that film before the other <br />
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<h1>“Speech Restriction”</h1>A wonderfully inspirational film, “The King’s Speech” stars Colin Firth as Britain’s King George VI. At the start of World War II, King George VI, afflicted with a speech stammer since the age of 5, finds it difficult to speak to his nation. Queen Elizabeth, beautifully played by Helena Bonham Carter, seeks the help of Lionel Logue, an Australian speech therapist spectacularly played by Oscar-winner Geoffrey Rush. From here, “The King’s Speech” plays out like a royal “Pygamlion” and it’s easily one of the year’s best films.<br />
Expect to hear a lot about this movie throughout awards season. David Seidler’s sharp screenplay is certain to be on the Oscar ballot. Another certainty is that Colin Firth will be giving a speech of his own on Oscar night. This role is a career-milestone for him and he deserves all the awards recognition he will likely receive.<br />
Factual historical period dramas are always important and educational, but rarely are they also as inspirational and entertaining as “The King’s Speech”. Director Tom Hooper has crafted an elegant cinematic masterpiece from a subject that sounds rather dull on paper. You literally must see it to believe it. Just like Firth’s King George, everything that is great about this film is the result of hard work and dedication. A labor of love that triumphantly achieves its goals.<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjayxAvXVTzEKixQN5Lg9bIG-h53ApdtZ4R7ZA4X6zHJNVlo7QGwJ1P5SlnbUAlRwluwai71Hfi4ixQJ3QPybTEQ9zAekUz-VP6ph22cP8ETVRe6eXornIJ_kJhOzF4hmxZy4gETfQ1lWs/s1600/KingsSpeech.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjayxAvXVTzEKixQN5Lg9bIG-h53ApdtZ4R7ZA4X6zHJNVlo7QGwJ1P5SlnbUAlRwluwai71Hfi4ixQJ3QPybTEQ9zAekUz-VP6ph22cP8ETVRe6eXornIJ_kJhOzF4hmxZy4gETfQ1lWs/s400/KingsSpeech.jpg" width="263" /></a>Parents should know that “The King’s Speech” is totally harmless for an all-ages audience. Quite remarkably, the film contains no sex, nudity or violence. Because it is set inside the royal world of Britain, the language is kept very clean and proper. Yet the MPAA has decided to give this film an ‘R’ rating which restricts anyone under 17 in this country from seeing it without an accompanying parent.<br />
The MPAA’s rating system was originally designed as a guide to help parents sort out which movies were appropriate for their kids to see. But it has become a symbol of censorship in America and I suspect politics and foul play are involved in every current ratings decision they make.<br />
Despite numerous appeals, the MPAA has said that “The King’s Speech” will remain R-rated due to a 10-second scene in which Colin Firth runs through a laundry-list of swear words as part of his therapy. As these 10 seconds fly by, the ‘F’ word can be heard repeatedly. Not as a verb. Not as an adjective. Just as a word.<br />
By contrast, I heard the ‘F’ word spoken at least 5 times in the new comedy “Morning Glory” which the MPAA has rated PG-13, and in that film there is even a reference to a porn website called Banging-Grannies-dot-com.<br />
It is my opinion that the MPAA, and any movie theatre enforcing their ridiculous ratings by preventing a person of any age from purchasing a ticket for “The King’s Speech”, should be held legally accountable for unconstitutional age discrimination.<br />
watch the trailer here<br />
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/OAm7gRXFiRo?feature=player_embedded' frameborder='0'></iframe><a href="http://www.youtube.com/watch?v=8rr9ccD5H3Q"><br />
</a>anomaly anonymityhttp://www.blogger.com/profile/05882319691711702547noreply@blogger.com0tag:blogger.com,1999:blog-5290585622787024266.post-53503056223460861162011-03-25T03:55:00.000-07:002011-03-25T03:55:49.415-07:00Here They Are...<!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> </w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" LatentStyleCount="156"> </w:LatentStyles> </xml><![endif]--><!--[if !mso]><img src="http://img2.blogblog.com/img/video_object.png" style="background-color: #b2b2b2; " class="BLOGGER-object-element tr_noresize tr_placeholder" id="ieooui" data-original-id="ieooui" /> <style>
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<h2><span style="color: #cc0000;">hei you! yes you! thanks for stay tuned in, its been long time since i have posted , before i analyzed the winners synopsis, i'd like to show you the nominees</span></h2><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqlELx8mPHLOHodrPcw0ya037Uq509SjFt_IKo9MMxaXNviQz-P8nBJc01KFzy6uzSrYKa23RmDebx_OevUFPCIfRrN9oQubeJ6jY38o16yGDjpNRa6PKIIb4hDSOhJAfrr7QgUVHDwOM/s1600/oscars.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="301" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqlELx8mPHLOHodrPcw0ya037Uq509SjFt_IKo9MMxaXNviQz-P8nBJc01KFzy6uzSrYKa23RmDebx_OevUFPCIfRrN9oQubeJ6jY38o16yGDjpNRa6PKIIb4hDSOhJAfrr7QgUVHDwOM/s320/oscars.png" width="320" /></a></div><h2> </h2><h2> </h2><h2> </h2><h2>Winners and Nominees for the 83rd Academy Awards</h2><h3>Actor in a Leading Role</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l12 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>Javier Bardem</strong> in “Biutiful”</li>
<li class="MsoNormal" style="mso-list: l12 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>Jeff Bridges</strong> in “True Grit”</li>
<li class="MsoNormal" style="mso-list: l12 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>Jesse Eisenberg</strong> in “The Social Network”</li>
<li class="MsoNormal" style="mso-list: l12 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>Colin Firth </strong>in “The King's Speech” (winner)</li>
<li class="MsoNormal" style="mso-list: l12 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>James Franco</strong> in “127 Hours”</li>
</ul><h3>Actor in a Supporting Role</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l13 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>Christian Bale </strong>in “The Fighter” (winner)</li>
<li class="MsoNormal" style="mso-list: l13 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>John Hawkes</strong> in “Winter's Bone”</li>
<li class="MsoNormal" style="mso-list: l13 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>Jeremy Renner</strong> in “The Town”</li>
<li class="MsoNormal" style="mso-list: l13 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>Mark Ruffalo</strong> in “The Kids Are All Right”</li>
<li class="MsoNormal" style="mso-list: l13 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>Geoffrey Rush</strong> in “The King's Speech”</li>
</ul><h3>Actress in a Leading Role</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l23 level1 lfo3; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>Annette Bening</strong> in “The Kids Are All Right”</li>
<li class="MsoNormal" style="mso-list: l23 level1 lfo3; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>Nicole Kidman </strong>in “Rabbit Hole”</li>
<li class="MsoNormal" style="mso-list: l23 level1 lfo3; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>Jennifer Lawrence</strong> in “Winter's Bone”</li>
<li class="MsoNormal" style="mso-list: l23 level1 lfo3; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>Natalie Portman</strong> in “Black Swan” (winner)</li>
<li class="MsoNormal" style="mso-list: l23 level1 lfo3; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>Michelle Williams </strong>in “Blue Valentine”</li>
</ul><h3>Actress in a Supporting Role</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l9 level1 lfo4; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>Amy Adams </strong>in “The Fighter”</li>
<li class="MsoNormal" style="mso-list: l9 level1 lfo4; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>Helena Bonham Carter </strong>in “The King's Speech”</li>
<li class="MsoNormal" style="mso-list: l9 level1 lfo4; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>Melissa Leo</strong> in “The Fighter” (winner)</li>
<li class="MsoNormal" style="mso-list: l9 level1 lfo4; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>Hailee Steinfeld </strong>in “True Grit”</li>
<li class="MsoNormal" style="mso-list: l9 level1 lfo4; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>Jacki Weaver </strong>in “Animal Kingdom”</li>
</ul><h3>Animated Feature Film</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l2 level1 lfo5; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“How to Train Your Dragon”</strong> Chris Sanders and Dean DeBlois</li>
<li class="MsoNormal" style="mso-list: l2 level1 lfo5; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The Illusionist”</strong> Sylvain Chomet</li>
<li class="MsoNormal" style="mso-list: l2 level1 lfo5; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Toy Story 3” </strong>Lee Unkrich (winner)</li>
</ul><h3>Art Direction</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l5 level1 lfo6; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Alice in Wonderland”</strong> <br />
Production Design: Robert Stromberg; Set Decoration: Karen O'Hara (winner)</li>
<li class="MsoNormal" style="mso-list: l5 level1 lfo6; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Harry Potter and the Deathly Hallows Part 1”</strong> <br />
Production Design: Stuart Craig; Set Decoration: Stephenie McMillan</li>
<li class="MsoNormal" style="mso-list: l5 level1 lfo6; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Inception” </strong><br />
Production Design: Guy Hendrix Dyas; Set Decoration: Larry Dias and Doug Mowat</li>
<li class="MsoNormal" style="mso-list: l5 level1 lfo6; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The King's Speech” </strong><br />
Production Design: Eve Stewart; Set Decoration: Judy Farr</li>
<li class="MsoNormal" style="mso-list: l5 level1 lfo6; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“True Grit” </strong><br />
Production Design: Jess Gonchor; Set Decoration: Nancy Haigh</li>
</ul><h3>Cinematography</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l19 level1 lfo7; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Black Swan”</strong> Matthew Libatique</li>
<li class="MsoNormal" style="mso-list: l19 level1 lfo7; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Inception” </strong>Wally Pfister (winner)</li>
<li class="MsoNormal" style="mso-list: l19 level1 lfo7; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The King's Speech”</strong> Danny Cohen</li>
<li class="MsoNormal" style="mso-list: l19 level1 lfo7; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The Social Network” </strong>Jeff Cronenweth</li>
<li class="MsoNormal" style="mso-list: l19 level1 lfo7; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“True Grit” </strong>Roger Deakins </li>
</ul><h3>Costume Design</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l10 level1 lfo8; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Alice in Wonderland” </strong>Colleen Atwood (winner)</li>
<li class="MsoNormal" style="mso-list: l10 level1 lfo8; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“I Am Love” </strong>Antonella Cannarozzi</li>
<li class="MsoNormal" style="mso-list: l10 level1 lfo8; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The King's Speech” </strong>Jenny Beavan</li>
<li class="MsoNormal" style="mso-list: l10 level1 lfo8; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The Tempest” </strong>Sandy Powell</li>
<li class="MsoNormal" style="mso-list: l10 level1 lfo8; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“True Grit” </strong>Mary Zophres</li>
</ul><h3>Directing</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l0 level1 lfo9; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Black Swan”</strong> Darren Aronofsky</li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo9; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The Fighter”</strong> David O. Russell</li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo9; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The King's Speech”</strong> Tom Hooper (winner)</li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo9; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The Social Network”</strong> David Fincher</li>
<li class="MsoNormal" style="mso-list: l0 level1 lfo9; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“True Grit” </strong>Joel Coen and Ethan Coen </li>
</ul><h3>Documentary (Feature)</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l3 level1 lfo10; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Exit through the Gift Shop” </strong>Banksy and Jaimie D'Cruz</li>
<li class="MsoNormal" style="mso-list: l3 level1 lfo10; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Gasland” </strong>Josh Fox and Trish Adlesic</li>
<li class="MsoNormal" style="mso-list: l3 level1 lfo10; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Inside Job” </strong>Charles Ferguson and Audrey Marrs (winner)</li>
<li class="MsoNormal" style="mso-list: l3 level1 lfo10; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Restrepo” </strong>Tim Hetherington and Sebastian Junger</li>
<li class="MsoNormal" style="mso-list: l3 level1 lfo10; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Waste Land” </strong>Lucy Walker and Angus Aynsley</li>
</ul><h3>Documentary (Short Subject)</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l4 level1 lfo11; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Killing in the Name”</strong> Jed Rothstein</li>
<li class="MsoNormal" style="mso-list: l4 level1 lfo11; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Poster Girl”</strong> Sara Nesson and Mitchell W. Block </li>
<li class="MsoNormal" style="mso-list: l4 level1 lfo11; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Strangers No More”</strong> Karen Goodman and Kirk Simon (winner)</li>
<li class="MsoNormal" style="mso-list: l4 level1 lfo11; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Sun Come Up”</strong> Jennifer Redfearn and Tim Metzger</li>
<li class="MsoNormal" style="mso-list: l4 level1 lfo11; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The Warriors of Qiugang”</strong> Ruby Yang and Thomas Lennon </li>
</ul><h3>Film Editing</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l11 level1 lfo12; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Black Swan”</strong> Andrew Weisblum</li>
<li class="MsoNormal" style="mso-list: l11 level1 lfo12; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The Fighter”</strong> Pamela Martin</li>
<li class="MsoNormal" style="mso-list: l11 level1 lfo12; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The King's Speech”</strong> Tariq Anwar</li>
<li class="MsoNormal" style="mso-list: l11 level1 lfo12; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“127 Hours”</strong> Jon Harris</li>
<li class="MsoNormal" style="mso-list: l11 level1 lfo12; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The Social Network” </strong>Angus Wall and Kirk Baxter<span style="mso-spacerun: yes;"> </span>(winner)</li>
</ul><h3>Foreign Language Film</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l18 level1 lfo13; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Biutiful”</strong> Mexico</li>
<li class="MsoNormal" style="mso-list: l18 level1 lfo13; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Dogtooth”</strong> Greece</li>
<li class="MsoNormal" style="mso-list: l18 level1 lfo13; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“In a Better World”</strong> Denmark (winner)</li>
<li class="MsoNormal" style="mso-list: l18 level1 lfo13; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Incendies”</strong> Canada</li>
<li class="MsoNormal" style="mso-list: l18 level1 lfo13; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Outside the Law (Hors-la-loi)”</strong> Algeria </li>
</ul><h3>Makeup</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l7 level1 lfo14; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Barney's Version”</strong> Adrien Morot</li>
<li class="MsoNormal" style="mso-list: l7 level1 lfo14; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The Way Back”</strong> Edouard F. Henriques, Gregory Funk and Yolanda Toussieng</li>
<li class="MsoNormal" style="mso-list: l7 level1 lfo14; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The Wolfman”</strong> Rick Baker and Dave Elsey<span style="mso-spacerun: yes;"> </span>(winner)</li>
</ul><h3>Music (Original Score)</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l16 level1 lfo15; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“How to Train Your Dragon”</strong> John Powell</li>
<li class="MsoNormal" style="mso-list: l16 level1 lfo15; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Inception”</strong> Hans Zimmer</li>
<li class="MsoNormal" style="mso-list: l16 level1 lfo15; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The King's Speech”</strong> Alexandre Desplat</li>
<li class="MsoNormal" style="mso-list: l16 level1 lfo15; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“127 Hours” </strong>A.R. Rahman</li>
<li class="MsoNormal" style="mso-list: l16 level1 lfo15; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The Social Network”</strong> Trent Reznor and Atticus Ross (winner)</li>
</ul><h3>Music (Original Song)</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l20 level1 lfo16; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Coming Home”</strong> from “Country Strong” Music and Lyric by Tom Douglas, Troy Verges and Hillary Lindsey</li>
<li class="MsoNormal" style="mso-list: l20 level1 lfo16; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“I See the Light”</strong> from “Tangled” Music by Alan Menken Lyric by Glenn Slater</li>
<li class="MsoNormal" style="mso-list: l20 level1 lfo16; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“If I Rise”</strong> from “127 Hours” Music by A.R. Rahman Lyric by Dido and Rollo Armstrong</li>
<li class="MsoNormal" style="mso-list: l20 level1 lfo16; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“We Belong Together”</strong> from “Toy Story 3" Music and Lyric by Randy Newman (winner) </li>
</ul><h3>Best Picture</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l8 level1 lfo17; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Black Swan”</strong> Mike Medavoy, Brian Oliver and Scott Franklin, Producers</li>
<li class="MsoNormal" style="mso-list: l8 level1 lfo17; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The Fighter”</strong> David Hoberman, Todd Lieberman and Mark Wahlberg, Producers</li>
<li class="MsoNormal" style="mso-list: l8 level1 lfo17; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Inception”</strong> Emma Thomas and Christopher Nolan, Producers</li>
<li class="MsoNormal" style="mso-list: l8 level1 lfo17; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The Kids Are All Right”</strong> Gary Gilbert, Jeffrey Levy-Hinte and Celine Rattray, Producers</li>
<li class="MsoNormal" style="mso-list: l8 level1 lfo17; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The King's Speech”</strong> Iain Canning, Emile Sherman and Gareth Unwin, Producers (winner)</li>
<li class="MsoNormal" style="mso-list: l8 level1 lfo17; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“127 Hours”</strong> Christian Colson, Danny Boyle and John Smithson, Producers</li>
<li class="MsoNormal" style="mso-list: l8 level1 lfo17; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The Social Network”</strong> Scott Rudin, Dana Brunetti, Michael De Luca and Ceán Chaffin, Producers</li>
<li class="MsoNormal" style="mso-list: l8 level1 lfo17; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Toy Story 3”</strong> Darla K. Anderson, Producer</li>
<li class="MsoNormal" style="mso-list: l8 level1 lfo17; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“True Grit”</strong> Scott Rudin, Ethan Coen and Joel Coen, Producers </li>
<li class="MsoNormal" style="mso-list: l8 level1 lfo17; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Winter's Bone" </strong>Anne Rosellini and Alix Madigan-Yorkin, Producers </li>
</ul><h3>Short Film (Animated)</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l22 level1 lfo18; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Day & Night” </strong>Teddy Newton</li>
<li class="MsoNormal" style="mso-list: l22 level1 lfo18; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The Gruffalo”</strong> Jakob Schuh and Max Lang</li>
<li class="MsoNormal" style="mso-list: l22 level1 lfo18; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Let's Pollute” </strong>Geefwee Boedoe </li>
<li class="MsoNormal" style="mso-list: l22 level1 lfo18; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The Lost Thing” </strong>Shaun Tan and Andrew Ruhemann (winner)</li>
<li class="MsoNormal" style="mso-list: l22 level1 lfo18; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Madagascar, carnet de voyage (Madagascar, a Journey Diary)” </strong>Bastien Dubois</li>
</ul><h3>Short Film (Live Action)</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l6 level1 lfo19; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The Confession” </strong>Tanel Toom</li>
<li class="MsoNormal" style="mso-list: l6 level1 lfo19; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The Crush”</strong> Michael Creagh</li>
<li class="MsoNormal" style="mso-list: l6 level1 lfo19; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“God of Love” </strong>Luke Matheny <span style="mso-spacerun: yes;"> </span>(winner)</li>
<li class="MsoNormal" style="mso-list: l6 level1 lfo19; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Na Wewe”</strong> Ivan Goldschmidt</li>
<li class="MsoNormal" style="mso-list: l6 level1 lfo19; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Wish 143” </strong>Ian Barnes and Samantha Waite</li>
</ul><h3>Sound Editing</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l21 level1 lfo20; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Inception”</strong> Richard King (winner)</li>
<li class="MsoNormal" style="mso-list: l21 level1 lfo20; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Toy Story 3”</strong> Tom Myers and Michael Silvers</li>
<li class="MsoNormal" style="mso-list: l21 level1 lfo20; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Tron: Legacy”</strong> Gwendolyn Yates Whittle and Addison Teague</li>
<li class="MsoNormal" style="mso-list: l21 level1 lfo20; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“True Grit”</strong> Skip Lievsay and Craig Berkey</li>
<li class="MsoNormal" style="mso-list: l21 level1 lfo20; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Unstoppable” </strong>Mark P. Stoeckinger </li>
</ul><h3>Sound Mixing</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l1 level1 lfo21; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Inception”</strong> Lora Hirschberg, Gary A. Rizzo and Ed Novick (winner)</li>
<li class="MsoNormal" style="mso-list: l1 level1 lfo21; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The King's Speech”</strong> Paul Hamblin, Martin Jensen and John Midgley</li>
<li class="MsoNormal" style="mso-list: l1 level1 lfo21; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Salt”</strong> Jeffrey J. Haboush, Greg P. Russell, Scott Millan and William Sarokin</li>
<li class="MsoNormal" style="mso-list: l1 level1 lfo21; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The Social Network”</strong> Ren Klyce, David Parker, Michael Semanick and Mark Weingarten</li>
<li class="MsoNormal" style="mso-list: l1 level1 lfo21; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“True Grit” </strong>Skip Lievsay, Craig Berkey, Greg Orloff and Peter F. Kurland</li>
</ul><h3>Visual Effects</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l15 level1 lfo22; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Alice in Wonderland”</strong> Ken Ralston, David Schaub, Carey Villegas and Sean Phillips </li>
<li class="MsoNormal" style="mso-list: l15 level1 lfo22; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Harry Potter and the Deathly Hallows Part 1” </strong>Tim Burke, John Richardson, Christian Manz and Nicolas Aithadi </li>
<li class="MsoNormal" style="mso-list: l15 level1 lfo22; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Hereafter” </strong>Michael Owens, Bryan Grill, Stephan Trojansky and Joe Farrell</li>
<li class="MsoNormal" style="mso-list: l15 level1 lfo22; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Inception” </strong>Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb (winner)</li>
<li class="MsoNormal" style="mso-list: l15 level1 lfo22; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Iron Man 2”</strong> Janek Sirrs, Ben Snow, Ged Wright and Daniel Sudick </li>
</ul><h3>Writing (Adapted Screenplay)</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l17 level1 lfo23; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“127 Hours” </strong>Screenplay by Danny Boyle & Simon Beaufoy</li>
<li class="MsoNormal" style="mso-list: l17 level1 lfo23; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The Social Network”</strong> Screenplay by Aaron Sorkin (winner)</li>
<li class="MsoNormal" style="mso-list: l17 level1 lfo23; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Toy Story 3”</strong> Screenplay by Michael Arndt; Story by John Lasseter, Andrew Stanton and Lee Unkrich</li>
<li class="MsoNormal" style="mso-list: l17 level1 lfo23; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“True Grit” </strong>Written for the screen by Joel Coen & Ethan Coen</li>
<li class="MsoNormal" style="mso-list: l17 level1 lfo23; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Winter's Bone”</strong> Adapted for the screen by Debra Granik & Anne Rosellini </li>
</ul><h3>Writing (Original Screenplay)</h3><ul type="disc"><li class="MsoNormal" style="mso-list: l14 level1 lfo24; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Another Year”</strong> Written by Mike Leigh</li>
<li class="MsoNormal" style="mso-list: l14 level1 lfo24; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The Fighter”</strong> Screenplay by Scott Silver and Paul Tamasy & Eric Johnson; <br />
Story by Keith Dorrington & Paul Tamasy & Eric Johnson</li>
<li class="MsoNormal" style="mso-list: l14 level1 lfo24; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“Inception” </strong>Written by Christopher Nolan</li>
<li class="MsoNormal" style="mso-list: l14 level1 lfo24; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The Kids Are All Right”</strong> Written by Lisa Cholodenko & Stuart Blumberg</li>
<li class="MsoNormal" style="mso-list: l14 level1 lfo24; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><strong>“The King's Speech”</strong> Screenplay by David Seidler <span style="mso-spacerun: yes;"> </span>(winner)</li>
</ul><div class="MsoNormal"><br />
</div>anomaly anonymityhttp://www.blogger.com/profile/05882319691711702547noreply@blogger.com0tag:blogger.com,1999:blog-5290585622787024266.post-40847914103821373332011-03-15T04:14:00.000-07:002011-03-24T01:40:18.334-07:00another "new" pageokay fools, ummm im sorry its the 3rd blogs that i've ever made ( forgive me, i know its skanky), actually its one of my college's lecture paperwork, so unlike my previous blogs, this one would be full of my studies thoughts, assignments, and others (i warn you, im not guaranteed its going to be amusing at all).<br />
and please reminds me thru the comments above, if i do wrong, no bitching, no gossipping, and no sniffles around, like i used to did before.<br />
besides all those paperworks previews, this blog will also full filled with what i thougt and my recommendations and complementations according to the Oscar's winners and nominees as well. wish me luck<br />
regards<br />
<br />
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